About this Product
" THE CROW AND THE SHEEP ." Aesop's Fable, Intaglio Etching on Paper, 5 inch by 7 inch 2014.
THE CROW AND THE SHEEP
A crow had seated herself atop a sheep so that the sheep had to carry the crow around against her will. After a while, the sheep remarked, “If you had done this to a dog, you would not be able to get away with it: dogs have teeth!'
The crow replied, 'I dislike creatures that cannot defend themselves, yet I avoid the mighty, I picked my targets just for that reason. That is why I last to a ripe old age, living for thousands of years.”
Moral of the story: Pick your enemies wisely
RavenPrints
Meet the Maker
RavenPrints
I fell in love with printmaking as soon as I made my first print! It felt like I was opening a wrapped present. It is one of the things that keep me addicted to it. I enjoy painting and drawing but the process of printmaking intrigues me. It is indirect. It is both a craft an art. The unexpected and the accidents of printmaking are the things I look forward to the most. I enjoy getting my hands dirty; printing an etching plate is good and messy. I have done many color prints, but I LOVE black and white. Like the old black and white movies, my prints allow the viewer to use their imagination. Rich bold values can be very powerful and beautiful. Black and white allows the viewer to be more interpretative, to fill in the blacks with whatever color the viewer wants. My prints are about history, I am a history nerd. I love to learn about the past, and about the stories and belief systems of our many ancestors. Each image has an accompanying narrative which is part of the visual image. My artwork also celebrates the intelligent and misunderstood raven and crow.
Please visit my portfolio: https://thevienneau.myportfolio.com/
My Artist Blog: http://larryvienneauprints.blogspot.com/
My Tumbler : https://www.tumblr.com/blog/view/thevienneau
Facebook: https://www.facebook.com/RAVENSTAMP/
How it’s Made
HOW I CREATE MY PRINTS:
I have had a lot of people ask "What is a handmade print?" I made this video of to show the printing process. http://www.youtube.com/watch?v=DNdYxOSKt1Y&feature=youtu.be
I often find inspiration from a traditional or historic account of the raven. First I decide on my title. Having a title helps me with the image and mood of the piece. Humor is often important but I also select titles that force the viewer to think more about the imagery.
Next, I look through references to find the right pose or gesture for the raven or ravens. Then I spend hours doing preliminary sketches, followed by a series of drawings using pencil, traditional gouache (opaque watercolor), ink, and charcoal. My next step involves using digital technology. I scan the drawings and rework them with Photoshop. This digital tool allows me to adjust the value of the drawing and I can even move and reorganize the image. I use filters if needed. Next, I print the drawing from my computer and continue to draw with the traditional tools. I repeat this process several times so the traditional and new technologies merge seamlessly.
In 2009 I began working with photopolymer etching plates. In the past an etching involved coating the plate with a petroleum bases sealer then emerging the plate into a vat of acid, cleaning with solvents, recoating, and more acid baths. The process was extremely hazardous to the artist as well as the environment. In 2009 I began working with newly perfected and safe photopolymer etching plates. These are UV light sensitive printing plates, which are exposed to sunlight and processed in tap water!! In the past, I spent 20-40 hours creating the printing plate. Now I use that time to do my finished drawing. I use my computer and printer to transfer my drawings onto a transparent plastic sheet. This serves as my negative for the exposure to the sun! I use the photopolymer process to transfer the original drawing to a printing plate from which I can hand-print an edition. Finally, I write a narrative. This usually takes up most of my time!
